Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Origami facile
Kent du Pre has
done such work on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, however the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami Easy Flower Origami.
Origami fleur
Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the Origami other to avoid the complexities of a model achieved exclusively by folding.
Fleur origami
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has recently been used and one can make certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and that we are approaching sculpture rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to Origami Crane Instructions show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the creature and then brought with each other. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have came out for folding a monster from a quantity of squares of different sizes.
Comment faire un avion en papier
In Origami Star Of David the most extreme combinations of water and document we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from a single color is one side colored and one white or plain. A great offer of modern Origami intrusions this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The trimming out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary Origami Paper Boat (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.